A Southward Tide

Poems, essays and excerpts. A favorite quote or two. An observation. A compendium of imagery. A dream analysis.

Tag: old age

Love is Ever a Fickle Friend

Love is ever a fickle friend –
he brings me pretty threads to lend
then points to me the broken seam.
My rosy cheeks aflame, I teem
with shame. Please forgive me Love,
I meant to wear the other glove
but somehow slipped into the stack
those panties from a while back –
I could not resist another wear
But why indeed, Love, do you care?
They graced your body time before,
old hems you once stitched and more.

Love is ever a fickle friend –
he traces circles with a pen
on inked skin he sketches dark trace
then quits the draw, deserts the space.
Body penned with strange design –
Love once here leaves me behind.
My figure cold in deserts deep,
upon my form your mark does keep
everlasting grief – Please go soft
the needle’s prick bears me aloft.
Though up on barren hillsides dwell
the unrequited love you quell.

Love is ever a fickle friend –
he offers tattered cards to send
of all the tangled cities known,
desolate streets we walked alone.
I hand them out for all to see
for Love reminds me nothing’s free.
To love but one or many more
costs forever the familiar shore.
To love many or just a few
we abandon option to renew
and by the crumbled ramparts stroll,
city obscured by love’s cruel toll.

Love is ever a fickle friend –
he gives me reason to pretend
that all along I played charade.
And now subtle memories fade
into the shade of moonlight cast.
Love – you always moved too fast
I caught you only with a glance
the timeless twirling of lost dance
or twilight on horizon’s cut
my dreams astir in instinct’s gut
but earthly bound as humans, we
can’t know you, Love, eternally.

Love is ever a fickle friend –
he clangs the church bells to no end
In rose-hued nave we say ‘I do’
then to the disco crash the few
bearing testament this dim hour,
flee the witnesses grown sour.
But on the floor stay Love and I,
feet shuffle to a tempo shy
one million years to eternity
as I shall not forever be.
Yet ever young, Love shall reside
alone without me by his side.

The Old Maids (Excerpt of new short story)

I saw her once after her brother died. She lay on the bed like a deflated bag, her legs like two sticks sticking out from under the comforter, her skin paper thin except on her feet where it was thick and cracked,  her unclipped toes curving painfully inwards. The room smelled like rotting flesh. It was not quite the smell of death which I remembered when cancer had starved my father. It was the smell before death, the smell of bedsores and soiled sheets, the smell of old crackers and cookie crumbs caught between the corners, the smell of molded milk in brittle teacups and all the dusty porcelain pillboxes with their painted spaniels. Old age merged to illness merged to death and with it, a litany of smells. 

When I entered, only a faint recollection traced across her eyes, which opened momentarily under the weight of drugged eyelids. She had been lost for some time, Richard had warned. 

“Tante Brigitte, it’s me.  It’s Marie,  your niece,” I struggled for words, “I’m so sorry…”

“Sorry for what?” 

“We were so sad to hear about Uncle Maxime.”

“What’s wrong with Maxime?” a heavy eye pried itself open.

Her brother Maxime had died three days before. He was in his late eighties and had been hospitalized for months. No one was particularly surprised but it was still sad. He had died alone, before Richard or I could arrive. The nurse told us he had been calling for Brigitte in the throes of death. He was confused, not remembering that his sister had been too feeble of body and mind to hold his hand during his final hours. 

“He’s gone, ma Tante.”

“What do you mean?” her eyes rolled to the side.

I patted her hands, frail bones like dead birds. She would pass soon, I thought. Probably like her brother: drugged, demented, in solitude and fear. The sad fate of a certain kind of elderly person, marooned by their own choices, each twist and turn of a life balanced on self propulsion, dangling like a broken filament until all that remained was a blank ceiling and the vague recollection of a nurse wandering in and out of the room, the steady hum of painkillers and the ultimate arch of death rattling through their lungs. 

Memento Mori

An open casket wake. Deceased in his eighties. Slow unfolding dementia. Minor stroke. And peace a few days later with his family by his bedside.

He wanted the casket open. His wife would have it preferred closed but she kept his dying wishes. There at the end of the hall, I can see his long nose peaking out over the mahogany.

I never saw my father after he passed. That was an image I chose not to have. My mother and brother gave me that choice; they went to the hospital to take care of the details. As awful as he looked the last days of his life, there was still blood circulating in his veins.

At this gentleman’s funeral, I am seeing a dead body for the first time. I understand now why people say that the dead look waxy. It is not a cliche, there seems to be no other way to describe it. A carved stone. A fake dried up skin ornament. A rubber caricature. All the features are elongated, the angles accentuated. The head is propped improbably while the chest disappears under sateen. I wonder why a man would want the world to see this abandoned vessel. I’ve heard it brings closure, it helps solidify the grieving process, heals the wounds faster. Perhaps it was a custom he brought from his past. Perhaps there was some hubris too in opening his own corpse for display, a final morbid joke, a memento mori that forced us to witness our own mortality as we looked upon the remnants of his corporeal placeholder.