The Ocean of Notions
I start with this question: is great writing a psychological or a spiritual exercise?
Why do so many writers eclipse themselves with mind-numbing substance? Is it to quiet the daily mind, to let go of the ego with its to-do lists and cannot’s and should have’s? Our mind is the world’s angriest prisoner, a recividist banging at the shell of our body, using us up foolishly. Great literature frees us from what we know or have known. Einstein says, “We can’t solve problems by using the same kind of thinking we used when we created them.” So it must come from elsewhere.
In Salman Rushdie’s first children’s book, Haroun travels to the earth’s second moon Khahani to restore his father’s storytelling tap, where fresh stories had once poured in from the Sea of Stories. The concept of the spring of knowledge, the ocean of meaning is archetypal.
“He looked into the water and saw that it was made up of a thousand thousand thousand and one different currents, each one a different colour, weaving in and out of one another like a liquid tapestry of breathtaking complexity; and Iff explained that these were the Streams of Story, that each coloured strand represented and contained a single tale.” (Haroun and the Sea of Stories, 1990)
So if our mind is a captive, how can we free ourselves and tap into the unknown, the creative well within?
