A Southward Tide

Poems, essays and excerpts. A favorite quote or two. An observation. A compendium of imagery. A dream analysis.

Tag: marriage

Love is Ever a Fickle Friend

Love is ever a fickle friend –
he brings me pretty threads to lend
then points to me the broken seam.
My rosy cheeks aflame, I teem
with shame. Please forgive me Love,
I meant to wear the other glove
but somehow slipped into the stack
those panties from a while back –
I could not resist another wear
But why indeed, Love, do you care?
They graced your body time before,
old hems you once stitched and more.

Love is ever a fickle friend –
he traces circles with a pen
on inked skin he sketches dark trace
then quits the draw, deserts the space.
Body penned with strange design –
Love once here leaves me behind.
My figure cold in deserts deep,
upon my form your mark does keep
everlasting grief – Please go soft
the needle’s prick bears me aloft.
Though up on barren hillsides dwell
the unrequited love you quell.

Love is ever a fickle friend –
he offers tattered cards to send
of all the tangled cities known,
desolate streets we walked alone.
I hand them out for all to see
for Love reminds me nothing’s free.
To love but one or many more
costs forever the familiar shore.
To love many or just a few
we abandon option to renew
and by the crumbled ramparts stroll,
city obscured by love’s cruel toll.

Love is ever a fickle friend –
he gives me reason to pretend
that all along I played charade.
And now subtle memories fade
into the shade of moonlight cast.
Love – you always moved too fast
I caught you only with a glance
the timeless twirling of lost dance
or twilight on horizon’s cut
my dreams astir in instinct’s gut
but earthly bound as humans, we
can’t know you, Love, eternally.

Love is ever a fickle friend –
he clangs the church bells to no end
In rose-hued nave we say ‘I do’
then to the disco crash the few
bearing testament this dim hour,
flee the witnesses grown sour.
But on the floor stay Love and I,
feet shuffle to a tempo shy
one million years to eternity
as I shall not forever be.
Yet ever young, Love shall reside
alone without me by his side.

Lucky Stones

As a young adult, I wore a boxy Liz claiborne purse, gray or light tan with a thin leather cross-over strap, filled with pencils, erasers, flavored lipgloss and a few lucky rocks. I had collected a gray skipping tone, the size of a big grape, and a smooth hematite. I was shy and when I felt challenged, my fingers would turn over the stones in my bag, infusing me with providence and power.I was an animist; my stones had souls. I cannot quite remember when I grew out of them but it was not an obvious transition. In high school, I shoplifted crystals from nature stores at the mall. In college, I collected frogs.

Finally I abandoned the needs of childhood to ground myself with physical objects and instead retreated to the colorful recesses of my mind, where fantasies trumped the day. For years now, I have hedged on reality. Even when two beautiful children have presented me with magic beyond human imagination, I have maintained my own dream life, a foot-out-the-door of this world, a vague morass of happiness and drama where no decisions need ever be made, just possibilities, endless possibilities.

I have my own versions of lucky rocks, ideas that help me get through it all: moving to Los Angeles or even better, Bali, irrational crushes, careers I could never pursue, hobbies that remain out of reach and things I have no intention of acquiring. At my wedding, I felt terrorized by my own uncertainty not so much because I lacked in love but more because I lacked the ability to live within the compass of regularity. Happiness was something for people that understood what this game of life was about, I reasoned.

Yet as I pursue mindfulness,I must let go of the notion that something outside of myself, be it a rock or a distant dream, fulfills me. And for a dreamer like me, this is bittersweet.

The Christmas Gift

Of all the presents I received this year, my favorite was a bright yellow raincoat with fleece-lined pockets. My aunt said she had lost her mind while shopping; she was cushioning the blow for what she assumed would be my disappointment. But just the contrary: it was as if Christmas had been distilled into one single moment, a childlike delight at a discovery of the thing that I had been imagining for some time (a raincoat) and its  superior counterpoint in reality  (the yellow raincoat). A rush of other joys came upon me – the elation of tropical rainstorms, the memory of yellow slickers I wore in Brittany as a child, and even a vision of myself at the windy helm of some future yacht.

My favorite book of Roland Barthes is the slim volume Camera Lucida. With a masters in film studies and a particular bent towards the documentary image, this has always been my kind of text. I’m also a sucker for the morbidly sentimental (read: he discusses dead people a lot). Though the book is light on theory, Barthes does posit a duality in our reception of the photographic image: the studium, call it the biographic information, the explicit and implicit meaning structure, and the punctum, the detail that holds our attention and pulls us into the world of emotions or synesthetic memory.

Instances in reality, be they fleeting sights or sounds, encapsulated moments, sentences, or facial expressions, can create a similar punctum, piercing through the substratum of ordinary meaning. And for me this Christmas, the triumph of the holiday season was a yellow raincoat, glistening with all possible future rains: a simple gift became a multitude.

Friendships of a Different Kind

The first days of college were a period of great possibility. We had finally arrived, survivors of parental dysfunction, high school theatrics and the ragged adolescent investigation into selfhood and drugs.

From across the country we had travelled, all different colors and sizes and textures, drawn together like pilgrims at the pinnacle of a spiritual quest. The University of Chicago. Within the fifteen block perimeter of this cathedral campus were stone dormitories, eating halls suffused with that particular Aramark smell, a classics building and humanities library, a radio station with a beaten up couch, an underground maze of corridors and basements – clandestine repositories of erudition – an old lap pool with its hexagonal tiles, muddy lawns under blooming canopies, snow drifts and icicles in winter, mosquitos and humidity. We congregated at the overheated student center, in beer bars with black painted floors, and on the back stairs of student apartments with their crusted windows and clanging radiators.

We trudged through the four years, forming friendships unlike any others we had known before or would know after. As teenagers, arriving fresh from the nest, we imprinted to each other like baby birds. Except we did not know that then. We could not possibly realize how unique college would be in the course of our lives.

And four years seemed like forever. But then it all came to an end, tapering off ever so slowly. Senior year. Countdown to commencement. Some of us were voracious planners – interviewing, assessing, paving small pathways toward a larger goal. Some of us just waited, a light anxiety fluttering in our hearts. We were beginning to disconnect from each other, to draw inwards. Some of us left our significant others and bade farewell to the minor friendships.

First we graduated. Then came September 11 and afterwards, our twenties continued for one long decade. We struggled through the process of maturation as we disassembled the staggering passions of youth.

Some of us walked this pain together, moving to New York or San Francisco or London or China, choosing similar careers and exploring fresh avenues together, reformulating and reinventing our friendships, strengthening them with each passing of the year.

Some of us died young.

Some of us drifted apart never to rekindle our former bond. We had each mapped a different route to cope with this thing called life, which in no way resembled what we thought life would be when we were eighteen years old and shimmering with the thrill of beginnings.

Maybe for some, our twenties buckled to cynicism as we realized that reality could not be manipulated like a teenager who constructs his own universe. But certainly and hopefully, some of us realized that within this staunchness of life was a different kind of joy. Now some of us marry. Now we have little children too. Some of us settle down to career. Some divorce. We stand at the dawn of another great era, another realm of simmering promise, albeit different in kind.

Impasse

You whisper under breath
that life again begins to pass,
the image flickers like Muybridge’s horse.

And the weight that brought you born to air,
the weight that taught you how to breathe,
stops breath again.

You start to pass.

The ticks of time of waiting stretch
and the waiting waits for you to fall
The waiting waits.
It’s what it does.

You wait with it for none to pass.

The flicker of the running horse
starts and stops in false pretense.
Because life begun, it never ends.
It never ends.

You wait with it
until the weight that brought you to this pass
lifts

and in the space breath left behind
the waiting stops.

[One of my first poems, 2006]

Baudelaire Preferred Laudanum

I misread a Baudelaire poem once
and thought:
“He had it all wrong.
Conversations with nature
are, in fact,
hard to come by.”

The ocean never answers.

Cross-legged, cradling
quandaries like lambs I’m hesitant
to cast upon an implacable altar,

I beg the rolling tide
for some sign.

close by a sandpiper needlepoints

is that a sign?

a gull
swoops

sign?

waves crash
louder than

a moment

ago

Thank God –
there is an ice cream shop nearby
because this business is tiring.

Baudelaire preferred laudanum.

The Interpretation of Silence

“We live…lives based upon selected fictions. Our view of reality is conditioned by our position in space and time – not by our personalities as we like to think. Thus every interpretation of reality is based upon a unique position. Two paces east or west and the whole picture is changed.” (Balthazar, Lawrence Durrell)

Balthazar, the second in Lawrence Durrell’s The Alexandria Quartet, has always been one of my favorite first reads, shattering the constructions so carefully set out in Justine. Is this not the best type of literature – the kind that piles misinterpretation upon misinterpretation, that builds a false belief system so Romeo can drink his poison, where the fiction of the story itself and the fictions created within the story merge seamlessly. In a much quoted line from Justine, Durrell foreshadows the unraveling of the subsequent books, “Does not everything depend on our interpretation of the silence around us?”

Ultimately, we condition ourselves by the preset limitations of our perceptions. How many little deaths do we create, how many times do we drink the poison believing our dreams to be dead when they are just sleeping? Or sometimes we dream the false dream, like the narrator of the The Alexandria Quartet, when beyond our small castle of thoughts a much larger fortress resides, an entire socio-political, even emotional, landscape. In ninth grade, I developed an intense crush on a classmate who was always staring at me. Only months later did I realize his girlfriend was seated behind me; hours of visual dialogue had occurred between them and in my head, just wasted time.