A Southward Tide

Poems, essays and excerpts. A favorite quote or two. An observation. A compendium of imagery. A dream analysis.

Tag: love

Buzzards

After high school, I vowed never to return to Palm Beach, a thin sliver of island that reminded me of all things lost in the cranky cogs of adolescence: wide-eyed jubilance, minnows and unconditional parental love (Later I learned their boundless love was not as mythic as teenagedom suggested. But that took decades…)

The tropical sun was reserved for holidays when I could loosen the vice grip of New York City and laziness became art: poolside reading, Dad’s cooking, twelve-hour sleeps. Over cocktails, I hated it here – how fake, weird, racist, stupid, greedy the inhabitants, how soporific the lifestyle. Couldn’t you just roll over and die in the blaze?

Then on the eve of my thirtieth birthday, a conspiracy of fates shipwrecked me. Moored by family illness and eventually love, I stayed, bought a house over the bridge and had some kids of my own.

Time rounded those reactive edges that tugged me to and fro, that trapped in the dooming treason of choice, the youthful delusion that life is anything other than the reinforcement of habits.

And slowly, the world unfolded before my eyes.

The buzzards float along the currents of the winds, hundreds of feet in the sky. In late afternoon, they swarm on buildings that edge the Intercoastal, covering the mirrored windows with hunched bodies. Actually, they are no more buzzards than butterflies, but rather two species of vultures: the turkey vulture and the black vulture. The former is the larger of the two with a red face and beak, while the latter has a smaller wingspan, a gray face and beak.

Egrets peck through the palmetto grasses and troops of white ibis with hooked bills hang out on the curb of my neighborhood. Often bobbing alone on buoys, pelicans sometimes fly in formation along the crashing surf.

By the glittering blue of the Intercoastal, a hawk beats its wings above the water where old timers on fold-out beach chairs cast their lines, reeling in whatever they can hook, snook if they are lucky. Every evening the sky blooms purple and neon pink; the moon rises over the ocean. And in my garden, hibiscus flower, three types of gardenia and some sweet almond vines.

The two Vanda orchids hanging from my front porch remind me of my father. His grave is shaded by banyans in the old cemetery. Above him, the buzzards circle.

I Want to Live a Simpler Time

I want to live a simpler time
and a simpler place
where stoplights are flags waved at random
across a plaza of crisscrossing horses

I want to journey a hundred miles by carriage
where ruts of mud splinter wheels
and dandelions in the fields
they grow for the picking

I want the priest who marries me
to have a garden
and a mistress
and a son

I want the boat that floats my ashes out to sea
to have a high wooden mast
and a lass upon a widow’s walk
measuring time by the ocean’s setting sun

I want no man to know the mysteries of my soul

Alas I live not in a simple time nor place

Instead the plaza has green and red soldiers
that flash their lights in combat
at compact cars and buses

at the sailor’s wife with her Italian lover
and the preacher pawning fortunes by telephone

and at me barefoot and lost in the midnight lane
street lamps alighting my soul for all to see

my time is an intricate intersection

a tangle of crisscrossing wires
like inside out carcasses
I cannot recognize my end from your beginning

and mystery is a windblown dandelion
wafting upwards for us to watch,
stopped static in the plaza
by a red soldier waving his flag of war.

Impasse

You whisper under breath
that life again begins to pass,
the image flickers like Muybridge’s horse.

And the weight that brought you born to air,
the weight that taught you how to breathe,
stops breath again.

You start to pass.

The ticks of time of waiting stretch
and the waiting waits for you to fall
The waiting waits.
It’s what it does.

You wait with it for none to pass.

The flicker of the running horse
starts and stops in false pretense.
Because life begun, it never ends.
It never ends.

You wait with it
until the weight that brought you to this pass
lifts

and in the space breath left behind
the waiting stops.

[One of my first poems, 2006]

Even the Orchids Miss Him

Even the orchids miss him.

The last few years  he fought the cancer, the orchids exploded in their most vibrant expressions. Perhaps knowing what they knew, they created final symphonies of color where and when they could, blooming and fading as they do every year according to some mysterious tropical calendar. Plants know their temporality better than we – some dying after just one year, some duplicate, propagate, shoot off into replicated bundles, some bear fruit, pecked by blackbirds, their seeds deposited miles away into the clouds. There is no birth, there is no death, just cycles along the wind and under the arms of bees.

And then he was gone, that presence they had sensed for hours of each day as he walked the long rows of the orchid house. The orchids have faded since he passed. They are in mourning, like dogs missing their master. How many plants in the wild have human friends? These were the most beautiful orchids in the world simply because my father had walked through their house, loving them as his own creations.

We can change the colors of the world with our hearts.

The Way They Looked at Him

The way they looked at him you’d think they’d been diagnosed too.

Which was more difficult – his friends looking down on those cavernous eyes, remembering every emptied bottle, all the misbehaviors of youth, or for him to see death reflected in their gaze, exposing a nostalgia years past due?

When he could still stand, dragging himself along on his IV, did he ever look at himself in the bathroom mirror?

Does a dying person think about form?

Did he pause to look into his ice blue eyes? Did he say goodbye to his wide smile, the long slender fingers, the sallow hollow of his cheeks? Did he think – when I go, she ceases forever to be my daughter? Maybe in these last moments – did he think – I will stare just a few minutes more into my mortality, refracted in immeasurable waves in their terrible loving eyes?

Baudelaire Preferred Laudanum

I misread a Baudelaire poem once
and thought:
“He had it all wrong.
Conversations with nature
are, in fact,
hard to come by.”

The ocean never answers.

Cross-legged, cradling
quandaries like lambs I’m hesitant
to cast upon an implacable altar,

I beg the rolling tide
for some sign.

close by a sandpiper needlepoints

is that a sign?

a gull
swoops

sign?

waves crash
louder than

a moment

ago

Thank God –
there is an ice cream shop nearby
because this business is tiring.

Baudelaire preferred laudanum.

The Interpretation of Silence

“We live…lives based upon selected fictions. Our view of reality is conditioned by our position in space and time – not by our personalities as we like to think. Thus every interpretation of reality is based upon a unique position. Two paces east or west and the whole picture is changed.” (Balthazar, Lawrence Durrell)

Balthazar, the second in Lawrence Durrell’s The Alexandria Quartet, has always been one of my favorite first reads, shattering the constructions so carefully set out in Justine. Is this not the best type of literature – the kind that piles misinterpretation upon misinterpretation, that builds a false belief system so Romeo can drink his poison, where the fiction of the story itself and the fictions created within the story merge seamlessly. In a much quoted line from Justine, Durrell foreshadows the unraveling of the subsequent books, “Does not everything depend on our interpretation of the silence around us?”

Ultimately, we condition ourselves by the preset limitations of our perceptions. How many little deaths do we create, how many times do we drink the poison believing our dreams to be dead when they are just sleeping? Or sometimes we dream the false dream, like the narrator of the The Alexandria Quartet, when beyond our small castle of thoughts a much larger fortress resides, an entire socio-political, even emotional, landscape. In ninth grade, I developed an intense crush on a classmate who was always staring at me. Only months later did I realize his girlfriend was seated behind me; hours of visual dialogue had occurred between them and in my head, just wasted time.

My Mother is an Extinct Bird

My mother is an extinct bird
sketched in children’s books,
surviving in imaginations
grand and small.

The old mantelpiece man
narrates this flight of auburn fiction,
his pipe alit by the tale’s wind.

How can I follow her
when she is a vellum-bound kite,
tracing pinpoint crescents across the sky?

The Terrible Always Now and Other Ontological Problems

“For what more terrifying revelation can there be than that it is the present moment? That we survive the shock at all is only possible because the past shelters us on one side and the future on another.” (Virginia Woolf, Orlando)

At a lower school gathering, our discussion turned the media blitzed world of pervasive gun violence and pedophilia. Over coffee, we plotted to protect, insulate, even isolate our children from this cruel new decade. And yet, is this era worse than before? What of mangled vets returning from Vietnam? What about Emmet Till? And Jerry Lee Lewis and his 14 year old bride? What about age old alcoholism and The Valley of the Dolls? The Cold War?  Studio 54? The present is myopic; it accumulates no knowledge beyond our own existence. We are like blind moles digging ourselves a circular tunnel that fills in behind us.

St. Augustine questions, “How can the past and future be, when the past no longer is, and the future is not yet? As for the present, if it were always present and never moved on to become the past, it would not be time, but eternity.” (The Confessions, Book XI). Accordingly, the present is fluid, unmeasurable, indivisible, time flowing from future to present to past. Change is the only constant, but isn’t the present immutable, always being, always the same?  Is the present the moment where all of life and experience is born and dies simultaneously? If so, as Augustine ponders, does the future or past even exist?

One Hundred Years Past

It was a long way she trod from
second one till a hundred past.

Paris bombed!
The wars did come and go.

From the windowsill, she sewed rag to rag
and watched them all. She tied her
things up in boxes stacked a century ago,
mended clothes pressed flat in a Norman cupboard.

She died in a modern hospital room
that resembled nothing the year she was born,
the early century – 1908.
She was just a child when all those boys died.

And then she bore her own in the second war.

Paris liberated!
Flags waved, firecrackers burned.

Years later, they fought.
My father left.

For decades, she was old.
We sat her at a table once a year
and smiled when she was gone.
She smelled like musty things.

How little we notice until they die,

then we try on their heavy shoes,
we unpack their boxes, flip
scalloped pictures, yellow and gray.

We touch their things as if
we knew how to cradle a hungry child
and yearn the taste of milk.

How little we build from souvenirs,
how little we cared to ask when
she sat old by the windowsill.

Life is long – but the same length for all,
the same second one till years gone past.
And the pain it takes to remember,
we soon forget.

She lived to a hundred and three,
and we shall soon forget.