A Southward Tide

Poems, essays and excerpts. A favorite quote or two. An observation. A compendium of imagery. A dream analysis.

Tag: family

April 11, 2014

Lucky Stones

As a young adult, I wore a boxy Liz claiborne purse, gray or light tan with a thin leather cross-over strap, filled with pencils, erasers, flavored lipgloss and a few lucky rocks. I had collected a gray skipping tone, the size of a big grape, and a smooth hematite. I was shy and when I felt challenged, my fingers would turn over the stones in my bag, infusing me with providence and power.I was an animist; my stones had souls. I cannot quite remember when I grew out of them but it was not an obvious transition. In high school, I shoplifted crystals from nature stores at the mall. In college, I collected frogs.

Finally I abandoned the needs of childhood to ground myself with physical objects and instead retreated to the colorful recesses of my mind, where fantasies trumped the day. For years now, I have hedged on reality. Even when two beautiful children have presented me with magic beyond human imagination, I have maintained my own dream life, a foot-out-the-door of this world, a vague morass of happiness and drama where no decisions need ever be made, just possibilities, endless possibilities.

I have my own versions of lucky rocks, ideas that help me get through it all: moving to Los Angeles or even better, Bali, irrational crushes, careers I could never pursue, hobbies that remain out of reach and things I have no intention of acquiring. At my wedding, I felt terrorized by my own uncertainty not so much because I lacked in love but more because I lacked the ability to live within the compass of regularity. Happiness was something for people that understood what this game of life was about, I reasoned.

Yet as I pursue mindfulness,I must let go of the notion that something outside of myself, be it a rock or a distant dream, fulfills me. And for a dreamer like me, this is bittersweet.

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December 28, 2013

The Christmas Gift

Of all the presents I received this year, my favorite was a bright yellow raincoat with fleece-lined pockets. My aunt said she had lost her mind while shopping; she was cushioning the blow for what she assumed would be my disappointment. But just the contrary: it was as if Christmas had been distilled into one single moment, a childlike delight at a discovery of the thing that I had been imagining for some time (a raincoat) and its  superior counterpoint in reality  (the yellow raincoat). A rush of other joys came upon me – the elation of tropical rainstorms, the memory of yellow slickers I wore in Brittany as a child, and even a vision of myself at the windy helm of some future yacht.

My favorite book of Roland Barthes is the slim volume Camera Lucida. With a masters in film studies and a particular bent towards the documentary image, this has always been my kind of text. I’m also a sucker for the morbidly sentimental (read: he discusses dead people a lot). Though the book is light on theory, Barthes does posit a duality in our reception of the photographic image: the studium, call it the biographic information, the explicit and implicit meaning structure, and the punctum, the detail that holds our attention and pulls us into the world of emotions or synesthetic memory.

Instances in reality, be they fleeting sights or sounds, encapsulated moments, sentences, or facial expressions, can create a similar punctum, piercing through the substratum of ordinary meaning. And for me this Christmas, the triumph of the holiday season was a yellow raincoat, glistening with all possible future rains: a simple gift became a multitude.

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November 26, 2013

Buzzards

After high school, I vowed never to return to Palm Beach, a thin sliver of island that reminded me of all things lost in the cranky cogs of adolescence: wide-eyed jubilance, minnows and unconditional parental love (Later I learned their boundless love was not as mythic as teenagedom suggested. But that took decades…)

The tropical sun was reserved for holidays when I could loosen the vice grip of New York City and laziness became art: poolside reading, Dad’s cooking, twelve-hour sleeps. Over cocktails, I hated it here – how fake, weird, racist, stupid, greedy the inhabitants, how soporific the lifestyle. Couldn’t you just roll over and die in the blaze?

Then on the eve of my thirtieth birthday, a conspiracy of fates shipwrecked me. Moored by family illness and eventually love, I stayed, bought a house over the bridge and had some kids of my own.

Time rounded those reactive edges that tugged me to and fro, that trapped in the dooming treason of choice, the youthful delusion that life is anything other than the reinforcement of habits.

And slowly, the world unfolded before my eyes.

The buzzards float along the currents of the winds, hundreds of feet in the sky. In late afternoon, they swarm on buildings that edge the Intercoastal, covering the mirrored windows with hunched bodies. Actually, they are no more buzzards than butterflies, but rather two species of vultures: the turkey vulture and the black vulture. The former is the larger of the two with a red face and beak, while the latter has a smaller wingspan, a gray face and beak.

Egrets peck through the palmetto grasses and troops of white ibis with hooked bills hang out on the curb of my neighborhood. Often bobbing alone on buoys, pelicans sometimes fly in formation along the crashing surf.

By the glittering blue of the Intercoastal, a hawk beats its wings above the water where old timers on fold-out beach chairs cast their lines, reeling in whatever they can hook, snook if they are lucky. Every evening the sky blooms purple and neon pink; the moon rises over the ocean. And in my garden, hibiscus flower, three types of gardenia and some sweet almond vines.

The two Vanda orchids hanging from my front porch remind me of my father. His grave is shaded by banyans in the old cemetery. Above him, the buzzards circle.

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November 21, 2013

I Want to Live a Simpler Time

I want to live a simpler time
and a simpler place
where stoplights are flags waved at random
across a plaza of crisscrossing horses

I want to journey a hundred miles by carriage
where ruts of mud splinter wheels
and dandelions in the fields
they grow for the picking

I want the priest who marries me
to have a garden
and a mistress
and a son

I want the boat that floats my ashes out to sea
to have a high wooden mast
and a lass upon a widow’s walk
measuring time by the ocean’s setting sun

I want no man to know the mysteries of my soul

Alas I live not in a simple time nor place

Instead the plaza has green and red soldiers
that flash their lights in combat
at compact cars and buses

at the sailor’s wife with her Italian lover
and the preacher pawning fortunes by telephone

and at me barefoot and lost in the midnight lane
street lamps alighting my soul for all to see

my time is an intricate intersection

a tangle of crisscrossing wires
like inside out carcasses
I cannot recognize my end from your beginning

and mystery is a windblown dandelion
wafting upwards for us to watch,
stopped static in the plaza
by a red soldier waving his flag of war.

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November 17, 2013

A Mushroom in the Cupboard

[excerpt from middle grade children’s novel]

I am not making this up, I promise. There was a mushroom in my cupboard, more specifically behind the cupboard. Even more specifically, there were two of them, and they were in cahoots! But I only found this out later, when it was too late to point fingers and throw wild accusations.

After all, who would have believed me?

Growing up in the French countryside, I learned to fear two things: Gypsies and Merules.  (Socialism was the thing to fear later in life – but for the moment it was Gypsies and Merules).

Gypsies stole children. This we all knew. When their distant bells tinkled through town, our neurotic nanny, Genevieve, would whisk us from the garden. We were untamed, my twin brothers and I – Gypsy children were probably better behaved.

Genevieve had the annoying habit of picking her teeth when she was nervous. During caravan-jingling-through-town times, up shot her left hand to scratch a front tooth and down shot the right hand to drag us to the basement kitchen. We were promptly set to some menial task like de-stringing green beans. Elbow deep in vegetables, Genevieve would launch into frightful tales of Gypsy thievery. Dogs, horses, children, cars, watches, wallets, you name it, they had stolen it. Storytelling soothed her because her tooth-picking hand would creep out of her mouth and dip into the English cream.

Merules were the other thing to fear – though I was not exactly sure why. I just knew that adults were terrified of them. These secretive mushrooms lived in the walls, and if they appeared, the roof could fall on your head. At night, I spent hours staring at the ceiling for any sign of collapse. Merules claimed their territory wherever they lay spore and did not discriminate in their destruction of the old homes of France.

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November 12, 2013

Impasse

You whisper under breath
that life again begins to pass,
the image flickers like Muybridge’s horse.

And the weight that brought you born to air,
the weight that taught you how to breathe,
stops breath again.

You start to pass.

The ticks of time of waiting stretch
and the waiting waits for you to fall
The waiting waits.
It’s what it does.

You wait with it for none to pass.

The flicker of the running horse
starts and stops in false pretense.
Because life begun, it never ends.
It never ends.

You wait with it
until the weight that brought you to this pass
lifts

and in the space breath left behind
the waiting stops.

[One of my first poems, 2006]

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November 11, 2013

Even the Orchids Miss Him

Even the orchids miss him.

The last few years  he fought the cancer, the orchids exploded in their most vibrant expressions. Perhaps knowing what they knew, they created final symphonies of color where and when they could, blooming and fading as they do every year according to some mysterious tropical calendar. Plants know their temporality better than we – some dying after just one year, some duplicate, propagate, shoot off into replicated bundles, some bear fruit, pecked by blackbirds, their seeds deposited miles away into the clouds. There is no birth, there is no death, just cycles along the wind and under the arms of bees.

And then he was gone, that presence they had sensed for hours of each day as he walked the long rows of the orchid house. The orchids have faded since he passed. They are in mourning, like dogs missing their master. How many plants in the wild have human friends? These were the most beautiful orchids in the world simply because my father had walked through their house, loving them as his own creations.

We can change the colors of the world with our hearts.

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November 5, 2013

The Way They Looked at Him

The way they looked at him you’d think they’d been diagnosed too.

Which was more difficult – his friends looking down on those cavernous eyes, remembering every emptied bottle, all the misbehaviors of youth, or for him to see death reflected in their gaze, exposing a nostalgia years past due?

When he could still stand, dragging himself along on his IV, did he ever look at himself in the bathroom mirror?

Does a dying person think about form?

Did he pause to look into his ice blue eyes? Did he say goodbye to his wide smile, the long slender fingers, the sallow hollow of his cheeks? Did he think – when I go, she ceases forever to be my daughter? Maybe in these last moments – did he think – I will stare just a few minutes more into my mortality, refracted in immeasurable waves in their terrible loving eyes?

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October 29, 2013

On Jadedness and Magic

I began feeling jaded during teenage hood. As the magic of childhood faded and life started to appear in all its glory, a wretched unjust affair, I experienced the common symptoms: eye-rolling, sarcasm, over-sensitivity, unfounded hatred of existing power structures, a thirst for independence occurring alongside a pathological desire to feel part of a group (my peers – unfortunately also teenagers). Then freedom! Graduation! And all sorts of new things started pouring in again. College. Undesirable behaviors. After experiencing everything there was to experience in a short span, and then moving to New York, activity and boredom capital of the world, now I was jaded again. My twenties were a decade of ugly shiftless feelings, disappointments and ebbing wonderment.

Much has already been said about my generation’s inability to grow up. We have squeezed the last drops of collegiate experience well into our thirties to thirsty, spiritually bereft results. We wait till almost middle age to have children. And to what end? Now a mother of two, I understand that psychic reconciliation with one’s own mother and father can only occur after a few years of interrupted sleep, bathroom floods and crayoned walls. How can we forgive the twisting directions of our own lives if we cannot understand our own incapacity as parents to shield a child from the arrows of existence? Since we cannot forgive, we cannot move on. We remain stunted teens with crow’s feet and graying hair.  

But more importantly, we remain jaded. I’m not suggesting that everyone needs children to perceive magic again. For others, a dog (or three) will suffice. Maybe a pet armadillo. A backyard teepee. Or a scuba tank and a fish-eye lens. But let’s just say: the magic has always been here. We just closed our eyes. And jadedness is this willing escape from the whole picture of life into the comfortable womb of resentment. It is a momentary death as we turn from brilliance to count circles on the ceiling.

Maybe the only way out is not through but on top of – flip it, turn it backwards, throw your life on its head. A call to all fellow werewolves, midnight flutists, bird whisperers and underwater stargazers (you know who you are) –  to paraquote Ghandi – be the magic you want to see in the world.

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October 23, 2013

The Interpretation of Silence

“We live…lives based upon selected fictions. Our view of reality is conditioned by our position in space and time – not by our personalities as we like to think. Thus every interpretation of reality is based upon a unique position. Two paces east or west and the whole picture is changed.” (Balthazar, Lawrence Durrell)

Balthazar, the second in Lawrence Durrell’s The Alexandria Quartet, has always been one of my favorite first reads, shattering the constructions so carefully set out in Justine. Is this not the best type of literature – the kind that piles misinterpretation upon misinterpretation, that builds a false belief system so Romeo can drink his poison, where the fiction of the story itself and the fictions created within the story merge seamlessly. In a much quoted line from Justine, Durrell foreshadows the unraveling of the subsequent books, “Does not everything depend on our interpretation of the silence around us?”

Ultimately, we condition ourselves by the preset limitations of our perceptions. How many little deaths do we create, how many times do we drink the poison believing our dreams to be dead when they are just sleeping? Or sometimes we dream the false dream, like the narrator of the The Alexandria Quartet, when beyond our small castle of thoughts a much larger fortress resides, an entire socio-political, even emotional, landscape. In ninth grade, I developed an intense crush on a classmate who was always staring at me. Only months later did I realize his girlfriend was seated behind me; hours of visual dialogue had occurred between them and in my head, just wasted time.

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