A Southward Tide

Poems, essays and excerpts. A favorite quote or two. An observation. A compendium of imagery. A dream analysis.

Month: February, 2014

Memories of Koi

Behind the Episcopal church of my youth is a walled memorial garden and a koi pond. The Neo-Gothic structure dates from the 1920s, a booming era for South Florida architecture and opulence. After Sunday service, the church served refreshments under wide palm fans and the twisted spines of guava trees. I savored the cheap orange juice and the sugar cookies we were never allowed to eat at home. Crouched on a stone bridge in a white  smocked dress with a handful of pellets, I fed my orange, black and white friends over the broken surface of the black pond. The fish bustled for a turn, slipping around and over each other in exuberance.These memories surface like bubbles of unbridled rapture. Childhood time is frozen, crystallized into eulogistic forms. Back then, were they just the fish I loved visiting after the constraining horror of Sunday school?

Sometime in my listless twenties, I found the garden again flattened by the midday sun, sweaty and bland. There were less flowers and the fish were like bullies, a grotesque ball of wrestling pythons. I had lost my wonder.

I return to this concept again and again. The lost wonderment of childhood, the “growing up” that damaged my spirit. While joy is not the sole property of the past, it is something we must recuperate. It is not our lost youth. It is our lost soul. We can leave no stone unturned or else we all die the quiet deaths of adulthood.

In the garden once again, I rest in quiet contemplation.The longer I sit in stillness, the deeper and wider the garden becomes till voices rise once again from the dark waters, koi older than time itself swimming calm circles around the lily pads. How many wide eyes have they seen from their vantage point below the surface, cherubic faces gazing at them with the wonder of a billion earth-bound years?

The Polyphemus Moth and other important moments in literature

Every now and again, a book tattoos itself on my life. I  hark back to the first time I read Balthazar by Lawrence Durrell or Rider Haggard, Richard Brautigan, Notes from the UndergroundLady Chatterly’s Lover, Hernandez’ Piano Stories or The Master and Margarita. I filled journals with quotes. I thought, life will never be the same now that I know what literature has made possible, my perceptions shaded by the disclosures of fictional worlds. I recall the year, the mood, the mundane dramas of the period when I read such work, when Marquez murdered his protagonist, Santiago Nasar, in the first line of his novel or when Annie Dillard’s polyphemus moth began its infinite crawl down a winter drive.

I read Pilgrim at Tinker Creek in high school. A decade later, I remember two passages from her non-fiction account. In one instance, Dillard describes the histories of newly sighted patients, blind from birth, after the development of safe cataract operations – their wonder and confusion at the two-dimensional plane of color patches and textures where space, form and size are indistinguishable. Their perception seems akin to an acid trip. A twenty-two year old girl keeps her eyes shuts for two weeks. When she finally opens them, she “repeatedly exlaimed: ‘Oh God! How beautiful.'”

And then the next passage: the moth, the fateful cocoon brought prematurely to life by the hot hands of school children, born in a mason jar, its wings forever crumpled. Upon her memory is etched the image of the beautiful crippled moth hobbling towards its death down a cold long driveway. I still cry when I read those pages. It has been seared on my subconscious too. It pains me that she did not spare us her morbid image. I have my own horrors tucked away too – the corpse of the baby sparrow we snatched after its nest fell, despite my mother’s insistence that if we touched it its mama would never return, the beautiful subsaharan tortoise I named Henry dead on our hot Manhattan roof. All these things brought back to life by the polyphemus moth, our hearts burned by the same sad destiny.

Music and Writing

Things that help me write prose:

1. Music
2. Driving; music
3. Walking; music
4. Staring off into space; silence
5. Dancing; music
6. Music
7. Spinning, handstands, cartwheels; chirping birds

Things that help me write poetry:

1. Weird Mood; silence, tumbleweeds

And if the music is good enough, words pop right out of the sky, streaming in my head, colored sentence ribbons variegated like a bouquet of tropical things. I count on music to inspire me; the musicians do most of the work. For a recent short story, I listened exclusively to Chopin while writing and then the soundtrack of Waltz with Bashir to edit. Right now, Vampire Weekend’s new album. What inspires you?